With them came the collection, which Maria donated to the university in 1983. They first settled in the states before arriving in London in 1948, when Alfred was hired at Western. Alfred left a successful career behind in Vienna, fleeing with Maria when the Nazis marched in Austria. ![]() Alfred was the son of Mahler’s sister, Justine, and a professor at Western, where he taught singing and music history. (London Free Press Archives, Western Archives and Special Collections)īernstein visited the collection at the home of Alfred and Maria Rosé. ![]() While in London, Bernstein visited Rosé’s home to view pieces of the Gustav-Mahler-Alfred Rosé Collection, now housed at Western Libraries. He also took in the Gustav Mahler-Alfred Rosé Collection, now housed at Western Libraries.įormer music professor Alfred Rosé with composer-conductor Leonard Bernstein in London, Ont. ![]() in 1967, he conducted Mahler’s Symphony No. When Bernstein brought the New York Philharmonic to Centennial Hall in London, Ont. Bernstein, also a conductor-composer, felt an affinity to Mahler and is credited for creating a 20 th century resurgence of interest in the latter’s music. The Austrian conductor-composer’s work was also featured in the 1971 film Death in Venice, as well as several television shows, from Fargo to The Simpsons.īlanchett’s character, Lydia Tár, is the fictional protégé of Leonard Bernstein, the subject of the upcoming Netflix movie Maestro, starring Bradley Cooper. This is not the first time Hollywood has precipitated a ‘Mahler moment’. Within weeks of the film’s release last October, streams of the symphony on Apple Music were up 50 per cent from the previous month. It’s also attracted a new mass of Mahler fans. The sweeping work, regarded as one of Mahler’s greatest achievements, plays a key role in the drama. The musical maestro ends the lesson on modes by conducting the New York Philharmonic in a piece from his first ballet Fancy Free – a Cuban-sounding ‘danzón’ that uses our old friend, the Mixolydian.In the film Tár, up for six Academy Awards this weekend, Cate Blanchett stars as a conductor on the brink of personal and professional demise as she prepares to record a live performance of Gustav Mahler’s Symphonie No. “Isn’t that a wonderfully impressive sound?” he says ( watch here). Moving into classical territory now, Bernstein plays a segment from Debussy’s The Sunken Cathedral (La Cathédrale Engloutie). “And in fact, our old friend Debussy, when he wanted to suggest a cathedral rising out of the sea, used this same mode.” It’s still to be heard as much in churches as in discotheques. Read more: Leonard Bernstein conducts an orchestra with just his eyebrowsīernstein introduced young people to classical music in a relaxed environment.īut, the conductor prefaces, “I don’t want to give you the idea that this mode produces only jazz and pop music. ![]() Playing Lennon and McCartney’s elegant opening guitar melody, Bernstein says: “You hear that lowered seventh? That’s what gives it its charm, and that’s what makes it mixolydian. Still at the piano, Bernstein continues: “Or I wonder if you know that absolutely charming Beatles tune called ‘Norwegian Wood’?” Singing the main riff from the rock song, Bernstein cries, “That’s all mixolydian!” And that’s how the conductor of the New York Philharmonic came to sing a ‘60s rock band onstage at New York’s Lincoln Center. A few enthused murmurs bubble through the audience.
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